The Buzzer – Livraria Térmita
Book launch with Miguel Proença and Pedro Augusto
in conversation with André Cepeda
Thursday, December 18, 18:45
Largo de Mompilher, 5
4050-392 Porto
The Buzzer – STET
Book launch with Miguel Proença and Pedro Augusto
in conversation with Humberto Brito
Friday, December 12, 18:30
R. Actor António Cardoso 12A
1900-011 Lisboa
Paris Photo 2025
Book signings during the fair:
Polycopies – Friday 14 Nov 19:00
Eriskay Connection (main deck)
Concorde-Atlantique, Berges de Seine
Paris Photo – Saturday 15 Nov 16:00–18:00
Grand Palais, Eriskay Connection (booth J05)
Menor – Festival de Música Eletrónica
Sound performance by Pedro Augusto
Friday, November 7, 21:30
TAGV Coimbra
The Buzzer is a collaboration between producer Pedro Augusto and photographer Miguel Proença, resulting in both a record and a photobook. This performance marks the debut of the sound piece alongside a selection of photographs from the book. The compositions explore the geographical and psychological dimensions of the images, intertwining field recordings, interviews, and radio signals from a mysterious shortwave station—presumably of Russian military origin. The project presents a form of sonic cartography, mapping the intersection of sound, memory, and territoriality.

Le Jour il fait Nuit
Collective exhibition curated by André Cepeda
Kubikgallery, R. da Restauração 6, 4050-499 Porto
Opening Feb 22 18:30
22 Feb – 5 Apr 2025
with Adriana João, Anne Lefebvre, Cristiana Ortiga, Diogo Simões, Fala Mariam, Leonardo Martins, Mariana Maia Rocha, Marta Mateus, Pedro Leitão and Rui Moreira. Text by Eugénia Vilela.





© Kubik Gallery
© Kubik Gallery
© Kubik Gallery
© Kubik Gallery
© Kubik Gallery
EDO Fragilidade/Transitoriedade
A series of talks curated by Miguel Proença
Instituto Português de Fotografia, Porto
21 Oct 2021 – 26 May 2022, 21:00
supported by Plaka (Porto) and sponsored by Ricoh and Sandeman.
Programme:
21 Oct – Decolonise/Re-Activate: Archives and Representation
with Awa Konaté and Ben Krewinkel, in conversation with Desirée Desmarattes
18 Nov – Photography and Social Activism
with Anthony Luvera
24 Feb – Female Body and Social Construction
with Haley Morris-Cafiero
24 Mar – Photography and the Community
with Jim Goldberg and Alessandra Sanguinetti (Magnum Photos)
28 Apr – Photobook à La Portugaise
with Ana Catarina Pinho (Archivo), Susana Lourenço Marques (Pierrot Le Fou) and Tiago Casanova (XYZ Books) in conversation with Pablo Berástegui (Salut au Monde)
26 May – Commissioning Photography
with Josh Lustig (Financial Times)






© Teresa Nunes/IPF
© Teresa Nunes/IPF
© Teresa Nunes/IPF
© Teresa Nunes/IPF
© Teresa Nunes/IPF
© Teresa Nunes/IPF
WÜL Magazine
Portfolio and interview by Nastasia Khmelnitski.
Youthies Magazine
Behind the Hill published in The Folkloric Issue S/S 2020.




Prix HSBC pour la Photographie 2020
Nominated to the 25th edition of Prix HSBC pour la Photographie by Fannie Escoulen, former deputy director of Le Bal and independent curator.
MAPS Magazine
Behind the Hill features South Korean MAPS Magazine January 2019 issue.




The Buzzer features Publico P3 by Ana Maria Henriques.
A Glitch in the System – Photo Vogue
Curated by Alessia Glaviano and Francesca Marani
BASE, Via Bergognone 34, Milan, IT
14–17 Nov 2019





© Stefania Zanetti
© Stefania Zanetti
© Stefania Zanetti
© Stefania Zanetti
© Stefania Zanetti
Fiebre Photobook Dummy Award 2019
The dummy of The Buzzer has been shortlisted for the Fiebre Photobook Dummy Award, and will be exhibited during the festival from 25-27th October at Sala El Águila in Madrid.

© Fiebre
Unseen Dummy Award 2019
The dummy of my long-term project The Buzzer has been shortlisted for the Unseen Dummy Award, and will be exhibited during the Book Market at Unseen Amsterdam from September 19–22.




© Lorenza Demata
© Lorenza Demata
© Lorenza Demata
© Lorenza Demata
Elastic Forms, Elastic Visions on Lens Culture by Sophie Wright.
The Photographers’ Gallery TNT 2019
Curator Karen McQuaid about the exhibition at The Photographers’ Gallery from June 14 to October 6, 2019. Join us on July 18 at 6pm to find more about the projects exhibited.
© London Live
Meet Eight of Tomorrow’s Most Exciting Young Photography Talents on Hero Magazine.
The Photographers’ Gallery TNT 2019
The exhibition TPG New Talent 2019 (TNT), curated by Karen McQuaid, features eight artists selected from an open call by the TPG curatorial team and the American photographer Jim Goldberg. The show is on view at The Photographers’ Gallery from June 14 to October 6, 2019.





© Kate Elliot/The Photographers’ Gallery
© Kate Elliot/The Photographers’ Gallery
© Kate Elliot/The Photographers’ Gallery
© Kate Elliot/The Photographers’ Gallery
© Kate Elliot/The Photographers’ Gallery
Flash Forward 2019
The Buzzer is among the selected winners of the Magenta Foundation Flash Forward 2019.
Fotografia + Arquitectura
Escola Superior de Media Artes e Design (ESMAD)
with Álvaro Domingues, José Maçãs de Carvalho, Marta Ferreira, Miguel Proença, Sérgio Rolando
in conversation with Ângela Ferreira on June 6 at 15h30

© ESMAD
Riga Photomonth 2019
The Buzzer will be shown on Eating Pineapples on the Moon taking place during the opening on May 15 at the Kaņepes Culture Centre in Riga, Latvia.
MACK First Book Award 2019
The dummy of my long-term project The Buzzer was shortlisted for the MACK First Book Award 2019, and it will be exhibited during Photo London at Somerset House from 16–19 May 2019.






Imagens do Real Imaginado – Fluxos
Pós-Academia: A prática artística posterior à formação
Biblioteca Municipal Almeida Garrett, Porto on October 30 at 15h30
in conversation with João Leal
Hiraeth – Graduate Show
University of South Wales, MA Documentary Photography
Truman Brewery T4 – 91 Brick Ln, London E1 6QR
Opening Oct 3, 6PM
4–7 Oct 2018
Behind the Hill on It’s Nice That by Billie Muraben.
The Buzzer features SOURCE Magazine Graduate Photography 2018 issue.
Shortlisted for the British Journal of Photography + Ecotricity commission on fracking in the UK.
A Tension Span
University of South Wales, MA Documentary Photography
Ffotogallery, 29 Castle St, Cardiff CF10 1BZ
Opening 10 Jul 6PM
11–14 Jul 2018

RAVE Projecto 18
Collective exhibition of Escola Superior de Media Artes e Design (ESMAD)
Centro Português de Fotografia (CPF), Porto
7 Jul–16 Sep 2018
Awarded a Gulbenkian Foundation scholarship to study on the MA in Documentary Photography at the University of South Wales (formerly Newport).
Common Thinking
BASE, via Bergognone 34, Milan – Sala Principale/Cortile
June 5, 2017 from 21:00
A projection curated by Cesura for Milano PhotoWeek features international collectives including Fractures (France), Colectivo (Portugal), Versus Photo (Peru), Kamerades (Serbia), and MJR (USA). The evening will open with a conversation led by Alessandra Capodacqua, featuring photographers from the Italian collectives Cesura, Riverboom, and TerraProject.
Letters from Lisbon with Steven King for Christie’s Magazine, April 2017.




The Portuguese Experiment in Lisbon for Internazionale.


Awarded the VSCO Artist Initiative Grant to work on a collective project about the Europe borderlines.
Thin Line – Encontros da Imagem
Collective exhibition curated Pedro Leão Neto
with Lara Jacinto, Antonio Pedrosa and Tommaso Rada
Museu de Arqueologia D. Diogo de Sousa, Braga
25 Sep–31 Oct, 2015
Kingdom for a Stage – Contemporary Iberoamerican Photography
Collective exhibition curated by Susana Raab
Hillyer Art Space, 9 Hillyer Court NW, Washington, DC 20008
6–28 Nov 2015
Sala de Festas on Ain’t Bad by Carson Sanders.
Living with the Dead — Inside Cairo’s Necropolis Inhabited by Thousands of People on FotoRoom.
A Process
Collective exhibition curated by Der Greif
Neue Galerie im Höhmannhaus
Maximilianstraße 48, 86150 Augsburg, DE
28 Mar–18 May 2013


© Der Greif
© Der Greif
OjodePez Magazine
Behind the Hill published in OjodePez Magazine #36, selected among the portfolio reviews of PhotoEspaña in Madrid (Descubrimientos) and America (Trasatlántica).

Conscientions
With nice words by Jörg Colberg: “It’s hard to pick just one photograph from Miguel Proenca’s Behind the Hill, but I figured this one would do. Faith and superstition (or rather their remnants) in the modern world.”
Awarded the first prize of the daily life category at Prémio Estação Imagem 2012, the jury was composed by Emilio Morenatti (NPPA), Frédérique Babin (Le Monde Magazine), Patrick Baz (Agence France Press), Marion Durand (Newsweek) and Arianna Rinaldo (Ojodepez).
RAVE Projecto 11
Graduate exhibition of Escola Superior de Música e Artes do Espectáculo (ESMAE)
Centro Português de Fotografia (CPF), Porto
9 Jul–11 Sep 2011
Cairo, 2011
Cairo, 2013
Inventário is a collaboration with Museu de História Natural e da Ciência da Universidade do Porto (MHNC-UP) about the museum collections and its ongoing renovation process.
—
in collaboration with MHNC-UP/Colectivo, June 2016
Inventário is a collaboration with Museu de História Natural e da Ciência da Universidade do Porto (MHNC-UP) about the museum collections and its ongoing renovation process.
—
in collaboration with MHNC-UP/Colectivo, June 2016
Portugal, 2013–
Portugal, 2013–
The birth of science was the death of superstition.
—Thomas Huxley (Darwin’s bulldog).
We always searched for answers.
Throughout history, through the ages, we have been continuously looking for ways to justify our existence, reasons to justify what our minds could not. Since ancient times, the idea of cosmos responded to the human need to rely on the order of nature and the world, that can link and put things in order. However, this concept evolved through different civilisations and eras, the dawn of monotheism gave ground to the divine.
Healers, men and women of faith, said to hold the cure for all ills, to have the answers to all concerns. Bearers of wisdom that ordinary mortals could envision without ever understanding. Today, they seem to have disappeared, driven into obscurity by the impetus of scientific progress, remain there, hidden from the gaze of modern world.
Behind the Hill documents the healer’s practice and its deep connection to the native landscapes and plants of northeastern Portugal. In the physical and mystical realm, scenes often relate to nature and superstition. Proença catalogues rituals, artefacts, and performances linked to the land—overlooked by the western cumulative model of resource exploitation. The project points to the ongoing tension between technology and the natural world, it also explores humanity’s enduring quest for answers beyond purely an empirical framework.
—
The series was exhibited during The New Talent (TNT 2019) at The Photographers’ Gallery (UK).
2011–2019
The birth of science was the death of superstition.
—Thomas Huxley (Darwin’s bulldog).
We always searched for answers.
Throughout history, through the ages, we have been continuously looking for ways to justify our existence, reasons to justify what our minds could not. Since ancient times, the idea of cosmos responded to the human need to rely on the order of nature and the world, that can link and put things in order. However, this concept evolved through different civilisations and eras, the dawn of monotheism gave ground to the divine.
Healers, men and women of faith, said to hold the cure for all ills, to have the answers to all concerns. Bearers of wisdom that ordinary mortals could envision without ever understanding. Today, they seem to have disappeared, driven into obscurity by the impetus of scientific progress, remain there, hidden from the gaze of modern world.
Behind the Hill documents the healer’s practice and its deep connection to the native landscapes and plants of northeastern Portugal. In the physical and mystical realm, scenes often relate to nature and superstition. Proença catalogues rituals, artefacts, and performances linked to the land—overlooked by the western cumulative model of resource exploitation. The project points to the ongoing tension between technology and the natural world, it also explores humanity’s enduring quest for answers beyond purely an empirical framework.
—
The series was exhibited during The New Talent (TNT 2019) at The Photographers’ Gallery (UK).
2011-2019
The Buzzer investigates the shifting identities and geopolitical fault lines of the post-Soviet space, focusing on the Baltic States and their complex relationship with Russia. Set primarily in Estonia, Latvia, Lithuania between 2016 and 2018, the project examines how historical rifts between Russia and the West continue to unfold today.
Through a combination of original photography, archival imagery, and extensive research, the work interrogates the transformation of these landscapes and societies under competing cultural and political influences. It documents military exercises, national celebrations, and everyday encounters across the region, while also delving into the parallel worlds of conspiracy, espionage, and echo chambers affecting public perception.
A key aspect of the project is the integration of archival materials—sourced primarily from The Estonian National Archives—which anchor the visual ambiguity running throughout the narrative. These images highlight waves of acculturation and resistance across decades, showing statues raised and toppled, borders drawn and erased. By juxtaposing them with contemporary imagery, the work raises questions about the legitimacy of competing historical narratives and the construction of national identity.
The title, The Buzzer, alludes to a mysterious shortwave radio signal presumed to be of Russian military origin—symbolic of the ghostly presence of a former empire and the unresolved tensions. The project situates the Baltic region as a geopolitical buffer zone, both historically and today. With references ranging from the medieval Battle on the Ice to present-day NATO operations, it explores how territories, myths, and power are contested and reshaped.
—
© The National Archives of Estonia/Rahvusarhiiv for the archival images
In 2019 the book dummy was shortlisted for the MACK First Book Award, Unseen Dummy Award and Fiebre Dummy Award, being exhibited at Photo London (UK), Unseen Amsterdam (NL) and Fiebre Photobook Festival (ES).
2015–2019
The Buzzer investigates the shifting identities and geopolitical fault lines of the post-Soviet space, focusing on the Baltic States and their complex relationship with Russia. Set primarily in Estonia, Latvia, Lithuania between 2016 and 2018, the project examines how historical rifts between Russia and the West continue to unfold today.
Through a combination of original photography, archival imagery, and extensive research, the work interrogates the transformation of these landscapes and societies under competing cultural and political influences. It documents military exercises, national celebrations, and everyday encounters across the region, while also delving into the parallel worlds of conspiracy, espionage, and echo chambers affecting public perception.
A key aspect of the project is the integration of archival materials—sourced primarily from The Estonian National Archives—which anchor the visual ambiguity running throughout the narrative. These images highlight waves of acculturation and resistance across decades, showing statues raised and toppled, borders drawn and erased. By juxtaposing them with contemporary imagery, the work raises questions about the legitimacy of competing historical narratives and the construction of national identity.
The title, The Buzzer, alludes to a mysterious shortwave radio signal presumed to be of Russian military origin—symbolic of the ghostly presence of a former empire and the unresolved tensions. The project situates the Baltic region as a geopolitical buffer zone, both historically and today. With references ranging from the medieval Battle on the Ice to present-day NATO operations, it explores how territories, myths, and power are contested and reshaped.
—
© The National Archives of Estonia/Rahvusarhiiv for the archival images
In 2019 the book dummy was shortlisted for the MACK First Book Award, Unseen Dummy Award and Fiebre Dummy Award, being exhibited at Photo London (UK), Unseen Amsterdam (NL) and Fiebre Photobook Festival (ES).
2015–2019
Since 2017 I began photographing the surrounding neighbourhoods on foot, sometimes alone, sometimes with friends, watching the changes unfolding there. Over time, this peregrinating affair became more methodical and structured — tracing bus lines, waterways, and highways from the interior heading to the coast, and using these routes as a framework for the work. Finding my own way into a territory where uneven demographic movements interplay, producing new spatial reconfigurations.
Porto, 2017–ongoing
Since 2017 I began photographing the surrounding neighbourhoods on foot, sometimes alone, sometimes with friends, watching the changes unfolding there. Over time, this peregrinating affair became more methodical and structured — tracing bus lines, waterways, and highways from the interior heading to the coast, and using these routes as a framework for the work. Finding my own way into a territory where uneven demographic movements interplay, producing new spatial reconfigurations.
Porto, 2017–ongoing